Percy jackson 1 streaming film senza limiti

Crimes of the Future (2022)

Director - David Cronenberg, Cinematography - Douglas Koch

"Surgery is the new sex."

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5 most handsome 'Crimes of the Future' actors

5 most handsome ‘Crimes of the Future’ actors

“Crimes of the Future” is a science-fiction body horror film shot in Athens, Greece in 2021. It was written and directed by David Cronenberg, 79, of Toronto, Ontario, Canada. When the film premiered at the 75th annual Cannes Film Festival in Cannes, France on May 23, 2022, it received a six-minute standing ovation. It hit theaters in Canada and the United States on June 3, 2022. On September 9,…

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“It has been quite a journey.”

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Crímenes Del Futuro… Placeres Culposos

Crímenes Del Futuro… Placeres Culposos

Cuando la especie humana se adapta a un entorno artificial, el cuerpo humano es objeto de nuevas transformaciones y mutaciones. Con la ayuda de su compañera Caprice , un célebre artista del performance, hace presentaciones de metamorfosis de sus órganos en espectáculos de vanguardia, mientras que una investigadora de la Oficina del Registro Nacional de Órganos, sigue de cerca sus prácticas. Es…

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How do you feel about Percy Jackson adaption/& Who would you cast for gods or goddesses in a Movie?

i'll answer this in two parts: obviously i can't dictate whether someone likes percy jackson or not but im not a fan because of how the book series has somehow convinced people that Greek Myths occurred in a way in the book or they say that this god was a terrible person (because remember people, gods are above animals and humans so they don't adhere to morality the same way we do)

part 2: I've done this before and some of my choices have changed since then, but my first thing is casting all Greeks, it's Greek culture so it will be Greek people.

constantine markoulakis as zeus

michael antonakos as poseidon

yorgos karamihos as hades

mario lekkas as ares

theo theodoridis as hephaestus

prometheus aleifer as dionysus

theo james as apollo

alex dragulele as hermes

marie avgeropoulos as artemis

nadia serlidou as hera

marietta chrousala as demeter

anastasia tsilimpiou as persephone

antri karatoni as aphrodite

ariane labed as hestia

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and i forgot my name, and the way back to my mother’s house. 

with your blackpool eyes and your bitten lips. 

the world is at your fingertips

1 - pai - yorgos karamihos. dominiko ou apenas dom, era muito próximo de alina mas se estabeleceu por pouco tempo na vida da filha. dom sofreu um ataque incendiário ainda quando alina era uma criança, enquanto a mesma assistia a tudo. embora tenha passado pouco tempo com ele, os dois possuíam uma forte conexão desde os primeiros anos de vida.

3 - mãe - eva green. a relação de alina com nyx é extremamente conturbada, desde que descobriu sobre a sua origem a ruiva vive em um eterno ciclo de sentir revolta quanto a sua criação, mas ao mesmo tempo tentar orgulhar a mãe de qualquer forma e tenta honra-la se mostrando digna de relevância, mesmo não conversando sobre esse assunto com ninguém. nyx é uma mãe protetora como uma leoa, mas não dá o braço a torcer e permanece distante enquanto a filha não procura contato.

4 - as tias - a quarta imagem poderia muito bem simbolizar as “tias" guardiãs de alina, que cuidaram dela desde a saída do orfanato até a sua chegada no acampamento. eram místicas, sábias e ritualísticas, foram elas que ensinaram para alina tudo sobre os seus poderes e habilidades, e cuidaram da garota com todo o afeto que merecia. as sete permanecem vivas mesmo após o acidente, embora alina não saiba.

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Pablo, Apóstol de Cristo

Pablo, Apóstol de Cristo

https://escuelafeliz.org/wp-content/uploads/2021/12/Pablo-Apostol-de-Cristo-HD720.mp4                                     Pablo, Apóstol de Cristo – Andrew Hyatt Reparto: Jim Caviezel, James Faulkner, Olivier Martínez, Joanne Whalley, John Lynch, Antonia Campbell-Hughes, Noah Huntley, Yorgos Karamihos, Alessandro Sperduti, Alexandra Vino, Manuel Cauchi, Anthony Edridge, Mario Opinato, Husam…

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ANTIDOTE - Review

DISTRIBUTOR: Uncork’d Entertainment

SYNOPSIS: Sharyn is admitted into a hospital for an emergency surgery, but she wakes up in a bizarre medical facility where patients are treated like lab rats as mysterious doctors are trying out a cure for all ills. The clinical research is brutal -- human endurance is put to the test and she must find a way to escape or continue to be used as a human Guinea pig.

REVIEW: ANTIDOTE is a horror, mystery, thriller, that plays out like a twisted version of “It’s A Wonderful Life, with a somewhat equally optimistic  ending. Instead of the main character having to go back to review their life, they are faced with trauma and curl therapy sessions with a demented therapist as they try to figure out the issues with their life.

The grizzly special effects help balance out the minimalistic location where much of the story takes place, Many of the visual aspects offer clues as to the true nature of Sharyn’s situation then clues from the plot or dialogue. At its core ANTIDOTE feels like an episode of “The Twilight Zone,” or maybe more like “Tales From The Crypt,” given its violent nature. However, the more optimistic ending places it more in the league of “The Twilight Zone.” I wouldn’t go so far as to say there is anything groundbreaking with the story, but there is a fresh redesign on the elements that should keep the view guessing as to what is going on and where the story is heading.

I enjoyed Ashlynn Yennie’s performance. She creates this level headed fighter who is doing her best to think and fight her way out of this nightmare. Even as the mystery is revealed as to the “why” behind her peril, you perceive the sincerity of her repentance allowing you to accept the plot points that build to the climax. I enjoyed the other actors as well but their characters were a bit flat even though this is Sharyn’s story.

Director and co-writer Peter Daskaloff keeps the film moving at a nice space as I never felt bored or checked the time. There are some graphic effects sequences that he does an excellent job of piecing together so they look realistic. He nicely exploits this limited location so it feels like a massive labyrinth that the characters are trapped in and you are left guessing as to what Sharyn might encounter as she explores other areas. He skillful job of hiding the clues in plain sight to provide the viewer with “wow” moments as he peels back the layers.

I enjoyed ANTIDOTE. It features a talented cast, a compelling score, interesting production values, and an effective visual narrative. Clearly not a studio picture, but a solid film that I would be proud to have in a festival. Be interested to see what Peter Daskaloff does next.

CAST: Ashlynn Yennie, Louis Mandylor, Scott Alin, Yorgos Karamihos, Augie Duke, Christos Vasiloppulous; Elli Rahn, and Olive Hoffman CREW: Director/Screenplay/Producer - Peter Daskaloff; Screenplay - Matthew Toronto; Producers - Alexi Stavrou & Ashlynn Yennie; Cinematographer - Lucas Pitassi; Score - Ryan Harrison; Editor - Vanagan Gaboudian; Special Makeup Effects Artist - Maurie Davidson OFFICIAL: N.A. FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/yH8P-puEO-0 RELEASE DATE: On Demand & DVD May 11th, 2021

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay),  or 👎 (Dislike) Reviewed by Joseph B Mauceri

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TRAMA: Crimes of the future, il film diretto da David Cronenberg, è ambientato in un futuro non troppo lontano, nel quale la specie umana sta ancora imparando ad adattarsi a un ambiente sintetico e di conseguenza il corpo stesso è soggetto a mutazioni. Gli esseri umani, infatti, sono stati portati oltre il loro status naturale e ora devono affrontare delle trasformazioni e delle metamorfosi, che alterano la loro stessa composizione biologica.

Regista: David Cronenberg Genere: Drammatico, Horror, Fantascienza Attori: Viggo Mortensen, Léa Seydoux, Kristen Stewart, Scott Speedman, Tanaya Beatty, Lihi Kornowski, Denise Capezza, Don McKellar, Yorgos Karamihos, Nadia Litz, Yorgos Pirpassopoulos, Welket Bungué, Ephie Kantza, Jason Bitter

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::Film::

Un film (in Italiano anche pellicola) è una serie di immagini che, dopo essere state registrate su uno o più supporti cinematografici e una volta proiettate su uno schermo, creano l'illusione di un'immagine in movimento.[1] Questa illusione ottica permette a colui che guarda lo schermo, nonostante siano diverse immagini che scorrono in rapida successione, di percepire un movimento continuo.

Il processo di produzione cinematografica viene considerato ad oggi sia come arte che come un settore industriale. Un film viene materialmente creato in diversi metodi: riprendendo una scena con una macchina da presa, oppure fotografando diversi disegni o modelli in miniatura utilizzando le tecniche tradizionali dell'animazione, oppure ancora utilizzando tecnologie moderne come la CGI e l'animazione al computer, o infine grazie ad una combinazione di queste tecniche.

L'immagine in movimento può eventualmente essere accompagnata dal suono. In tale caso il suono può essere registrato sul supporto cinematografico, assieme all'immagine, oppure può essere registrato, separatamente dall'immagine, su uno o più supporti fonografici.

Con la parola cinema (abbreviazione del termine inglese cinematography, "cinematografia") ci si è spesso normalmente riferiti all'attività di produzione dei film o all'arte a cui si riferisce. Ad oggi con questo termine si definisce l'arte di stimolare delle esperienze per comunicare idee, storie, percezioni, sensazioni, il bello o l'atmosfera attraverso la registrazione o il movimento programmato di immagini insieme ad altre stimolazioni sensoriali.[2]

In origine i film venivano registrati su pellicole di materiale plastico attraverso un processo fotochimico che poi, grazie ad un proiettore, si rendevano visibili su un grande schermo. Attualmente i film sono spesso concepiti in formato digitale attraverso tutto l'intero processo di produzione, distribuzione e proiezione.

Il film è un artefatto culturale creato da una specifica cultura, riflettendola e, al tempo stesso, influenzandola. È per questo motivo che il film viene considerato come un'importante forma d'arte, una fonte di intrattenimento popolare ed un potente mezzo per educare (o indottrinare) la popolazione. Il fatto che sia fruibile attraverso la vista rende questa forma d'arte una potente forma di comunicazione universale. Alcuni film sono diventati popolari in tutto il mondo grazie all'uso del doppiaggio o dei sottotitoli per tradurre i dialoghi del film stesso in lingue diverse da quella (o quelle) utilizzata nella sua produzione.

Le singole immagini che formano il film sono chiamate "fotogrammi". Durante la proiezione delle tradizionali pellicole di celluloide, un otturatore rotante muove la pellicola per posizionare ogni fotogramma nella posizione giusta per essere proiettato. Durante il processo, fra un frammento e l'altro vengono creati degli intervalli scuri, di cui però lo spettatore non nota la loro presenza per via del cosiddetto effetto della persistenza della visione: per un breve periodo di tempo l'immagine permane a livello della retina. La percezione del movimento è dovuta ad un effetto psicologico definito come "fenomeno Phi".

Trova tutte le serie TV e i film che puoi riprodurre in streaming online, comprese le serie trasmesse oggi. Se ti stai chiedendo cosa puoi guardare su questo sito web, dovresti sapere che include generi tra cui serie poliziesche, dramma, mistero, azione e avventura. Grazie mille Diciamo a tutti coloro che sono felici di accettarci come notizie o informazioni sullo spettacolo della stagione, sugli episodi e su come guardano i loro programmi TV preferiti. Speriamo di poter diventare il miglior partner per te quando cerchi consigli per uno spettacolo televisivo da vari paesi in tutto il mondo. È tutto da parte nostra, saluti.

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Hello here is my fan cast of Hercules:

Andreas Konstantinou as Hercules

Athena Karkanis as Meg

Alexis Georgoulis as Zeus

Keeley Hawes as Hera

Yorgos Karamihos as Hades

Hank Azaria as Hermes

Beyoncé as Calliope

Lizzo as Clio

Janelle Monáe as Melpomene

Lupita Nyong’o as Terpsichore

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:3 who are the people you picked for the Greek gods fancast?? I can recognize some but not all. Thank you ✨💖🤩

zeus: constantine markoulakis

demeter: sofia tsakiridou

hera: tonia sotiroupoulous

poseidon: michael antonakos

hestia: tety kalafati

apollo: theo james taptiklis

hermes: sebastian croft

dionysus: alex dragulele

artemis: zoi mantzakanis

aphrodite: nadia serlidou

ares: apostolis totsikas

athena: alexis pappas

hephaestus: theo theodoridis

hades: yorgos karamihos

persephone: anastasia tsilimpiou

hebe: elena kampouris

ganymede: eros vlahos

iris: krini alejandra

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The Durrells Series 4 Cut and Extended Scenes

A quick note: Some episodes of extended scenes had characters walking up the stairs, or walking up to the house door before the scene would continue. Therefore, I did not include those as cut scenes. Most of the episodes had between 6 and 8 extra scenes. But for some reason, episode 2 only had 3. I’m not sure if there was just something I missed or if this is truly how it was. Any other Americans who have seen this episode, let me know if I’ve missed anything and I will add it for everyone!

Google Drive link 

Descriptions of scenes from each episode:

Episode 1 - had a total of 6 cut /extended scenes 

In the beginning, when Louisa tells the girls and Basil about how much rent will be, Gerry makes a comment and then Margo mocks him.

After Louisa has served Basil his breakfast, we see Margo enter and Louisa tells her to have fun at work. Then Margo grabs a piece of toast and leaves. After that, Basil makes a rude comment about her.

The first time we see Margo at work with Theo, they hear a commotion before Florence walks in. Margo says, “Please can this be a team of handsome cricket players needing x-rays?” And then there is another moment where Florence actually speaks to little Adonis about her hair.

When Louisa and Larry are out on the terrace chatting and Basil makes his comment about going to the loo, there is more dialogue between Larry and Louisa.

There is a scene between Gerry and Luga in the kitchen where they talk about the owl and then Luga says, “I will hit it with a broom.” Then Leslie walks in exclaiming, “Evict him!” This is followed by Louisa coming in to tell them she is going to market and asks Leslie to come along because they need a hatstand.

The final extended scene we see is after the police Superintendent has searched the house for Vang. Larry, Leslie, and Gerry walk him out and then the Super asks where Louisa has disappeared to.

Episode 2 - had only 3 extra scenes. This was an episode where we saw other little clips such as one of the pelicans walking out in the yard but it was like 3 seconds long so I didn’t include it.

Towards the beginning of the episode, there is a cut scene between Louisa, Florence, and Theo. She tells them about Margo “missing” and then Florence teases her for droning on about Spiros. Also, Louisa calls Theo an “Honorary woman.” 

There is a scene of Basil trying to do things to impress Louisa after their discussion in the kitchen,  we see her walk into the house and he is sitting on a bench darning. She tells him he doesn’t have to do it but he does anyway lol.

And finally, we see a scene of Louisa bandaging his thumbs because he has pricked them so many times. Then he says he’s going into town (to buy the bridge) and Louisa says, “Please look for Margo and tell her to come home.” There is some more dialogue before (with Gerry) and after this but I didn’t want to write out too much.

Episode 3 - had 6 cut /extended scenes

First of all, it has a completely different beginning. Instead of it starting with Louisa seeing Spiros and his wife in the market, Louisa does something funny (that I don’t want to give away). We then see her join Leslie in the sitting room and they discuss going to see Larry and the picnic. Also, the fancy bottle of wine was a gift to Larry from Henry Miller.

Then scene in the kitchen with Leslie, Basil, Luga, and two of the guests after the Countess says she’s going to call Luga ‘Jill,’ Leslie makes a comment about the other guest that is sitting at the table as well.

When Louisa gets back from the market after seeing Spiros and his wife and then Leslie goes up to her room, there is more dialogue between them as he asks Louisa what Dimitria was like.

As they are on their journey to visit Larry after poor Theo has gotten sick over Leslie, there is a bit of an extended scene where Luga exclaims, “We’re here!” and then we see Leslie put his shorts back on.

In the Taverna with Creech, after he has admitted to reading Louisa’s letter to Larry, Theo scolds him about it. 

The last different scene is when they are all getting back in Spiros’ car to leave the Taverna. Instead of the dialogue between Louisa and Dimitria where Lou says, “What a chance to get to know each other better.” and Dimitria replies, “We already know each other well enough.” Leslie and Gerry switch places with Luga so that she can sit by the “window” seat since she gets carsick. And then Louisa makes a comment, “Wriggling about. Reminds me of being pregnant.”(I may have screeched lol)

Episode 4 - had 8 in total.

When we see Margo trying to tutor Maud at the beginning of the episode, this is extended a bit.

We actually see a scene of Louisa walking through Corfu town on her way to Florence’s and people whispering about her. Then I have combined it with the scene of her getting the list of things from Florence. Originally, at the end of that scene Louisa said, “That’s your my lips are sealed face.” and then the scene ended. However, this time we heard Florence reply, “Possibly more than a flirt.” in reference to Dimitria.

Before the little montage of all the neighbors spying on them, there is a tiny scene between Leslie and Gerry.

When Louisa returns from talking to Theo and finds Spiros in the kitchen and he offers her tea, we actually see him removing the kettle from the stove. Then he sees her enter and greets her with, “Welcome home!” (100% screeched and then died at that). I included the rest of the scene that followed after that because GDI THEY ARE JUST SO CUTE!

When Louisa gathers all of the guests together to tell them they need to be on their best behavior and Veronica makes the comment, “You harbored a fugitive.” Louisa says, “Let’s not rake over the past.” and then mentions that she received a postcard from Vang saying that he has a job.

Later, before Louisa and the boys return home from church and are making fun of the service, we actually see them walking out looking exhausted and Pavlos comments that he hopes to see them again.

When Louisa asks Theo and Spiros what they can do to make the people of Corfu think better of them again, the scene is slightly extended. Harry and Lumos walk in and offer to dance with each other and of course, Luga comes in with a hilarious quip.

At the very end of the episode, when Louisa is in the kitchen before Spiros comes in and asks if he can move in for a bit, the Countess is with her and they talk about Gerry.

Episode 5 - 8 cut or extended scenes

The first 12 minutes of the episode is the same, but when we see Gerry cleaning out of one of the zoo cages and Theo comes to speak to him, the scene is extended.

The scene between Louisa and Florence where they talk about the pastries Lou and Spiros have made, the scene is extended at the end. She asks Florence where all of her patients are.

The second time we see Margo on the train is extended a bit.

There is more dialogue between Leslie and Gerry in the Boy Scout scene when Leslie takes his woggle.

When Louisa goes up to Basil’s room to confront him about Dimitria, there is more dialogue before he says that he’s going to leave.

In the scene where the boys are now sleeping in Louisa’s room and they are chatting, there is a bit more dialogue between the three of them. Louisa says something along the lines of them being more Greek now (*heart eyes*).

After Spiros goes home to grab his suit that he will be wearing for the king, we see Louisa in the kitchen asking one of the guests what he thinks of the pastries she’s made. He just shakes his head and she mutters under her breath, “Missing you more than ever Spiros.”(That took me out)

And the last extended scene we see is when they are waiting in the square to watch the movie. Gerry walks up and apologizes to Leslie about being a “brat” before. Then there is a bit more between them and a great ‘Louisa-sips-her-wine face’ from Keeley.

Episode 6 - 8 scenes in total. Sadly, nothing special between Louisa and Spiros, especially that scene from the promo that was also cut from the ITV version (S: “It’s not about me.” L: “It is. I want it to be.”). I was really hoping it would be included in the PBS version, but for whatever reason, it was not and I’m upset.

The scene in which Gerry is explaining some animals to people at his Zoo, but Galini has to translate for him is extended.

When we see Luga walking through the town with the props for the show, there is actually another line she says to herself about the poster that she stops to look at.

After Margo has spoken to Nikos and Theo walks in, she asks him to ring the breakfast gong and then Larry comes in.

Directly after that, the dialogue between Larry and Leslie is a bit different.

We actually see a scene of Theo and Gerry caging up all of his animals to set them free.

Then we see a scene of Leslie, Louisa, and Luga talking about them leaving. This is slightly extended with Louisa seeing Gerry chasing after one of the pelicans.

Just before Margo comes in to talk to Louisa about waiting until marriage, we see Louisa gathering some things from the kitchen and then greeting two guests and telling them about the play.

And finally, after Louisa and Spiros’ scene at the beach, we are taken back to the play and see a bit of Dr. P’s part (lol).

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The Durrells 1.01 || 4.06

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The cast of The Durrell's series 1 - 4 💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓

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